Emotion
I have this huge big massive stick of graphite. I mean it's about the size of a landjaeger sausage. And soft. I keep it wrapped up in leather so I have something to hold it by without sliding around in the graphite, myself. And I use it to attack my work. The giant smudgy dark and soft and hard lines it makes are as enigmatic as my feelings. The biggest reason I'm a hands-on materials artist is emotion. I use art to deal with my emotion, so my art is usually pretty expressive. There's a lot that comes out of the body - feeling through physicality that then gets transferred to the work. I remember my highschool art teacher encouraging me to paint by just holding the very end of a long paintbrush, and I struggled hard with that. I struggled to keep control, until I grew up and realized that she was right: when the conscious mind loses control, the unconscious is still in there, and finally shines, with all its crazy, unpredictable ways. Emotions are freed. I have an autoi...