Emily van Lidth de Jeude

I recently did a commission of a local forest painting for two brothers in the Netherlands. They are paying by donation to BC Conservation groups that I recommended. I feel SO wonderful about this whole arrangement that I decided to do a big sale of my work in support of my local Conservancy, which works very very hard to manage, preserve, and educate about our local wildlands. There's really nothing that matters more to the survival of humanity than protecting the ecology of the planet we inhabit, and the Bowen Island Conservancy works so hard to this end that I can't think of a better recipient for the proceeds from my work. The painting that inspired this sale. It's a pair of landscapes for a pair of brothers. Together they make a forest, and the sun shines on them both. Kind of like this sale, which will benefit me (space in my studio!!) AND the Bowen Island Conservancy, whose work protects us all. Please join us! Hopefully the rain will hold off, but if not, it's d...

I sometimes wonder why everything I paint recently, and somehow even the installations I do, gets a clouded overlay. It's oil paint, white fabric, soft white light; whatever. I keep washing everything away into a purposeful obscurity. (Except my portrait of my Ukrainian Grandma releasing her war trauma. For that I made the obscurity first, and she came out of it. That's a strange happening!) Recently I also found out I have cataracts, apparently caused by the various courses of prednisone I've been subjected to over these last 3.5 years of struggling with long COVID. Blah. Great. Not the news you want, as an artist! But even more recently I realized I might be replicating my own clouded cateract vision in my work. Huh. Grandma Frees the Ptarmigan, 2023 I mean, part of me wants to embrace that (since the inflammatory effects of my long COVID also mean cataract surgery is not recommended), but part of me is still looking for a deeper meaning. And the white thing has been goin...